Pemutaran Film Agnes Varda 'LE BONHEUR' (1965)

"Shortly after making a then-controversial but now little-seen gem named Le Bonheur, Agnès Varda wrote that she had envisioned the film as “a beautiful summer fruit with a worm inside.” More than forty years later, one hears in this statement echoes of Buñuel’s anti-bourgeois perversity, Sirk’s subversion of lush surfaces and narrative clichés, as well as the basis for a whole tradition of American films (exemplified by David Lynch on one end and American Beauty on the other) that claim to expose the demons lurking behind the white picket fence." (Slant)